Fuck yeah, melancholy...

towritelesbiansonherarms:

professorthorgi:

God bless anyone who got this reference.

Enjoy GotG everyone!

wait wait wait

they do this?

in the film?

gameraboy:

My own mother! A man-thief!

Me as a mom.

gameraboy:

My own mother! A man-thief!

Me as a mom.

robotsquid:

"MAN THIS STORY I’M WRITING IS GONNA BE SO GOOD I’M SO PUMPED"

"I CAN’T WAIT TO DEVELOP THE SHIT OUT OF THESE CHARACTERS"

"HOT DAMN THAT ONE SCENE NEAR THE MIDDLE IS GONNA BE BITCHIN’"

"THIS PLOT TWIST IS THE SINGLE BEST IDEA I’VE EVER HAD IN MY LIFE"

~one hour later~

image

image

image

spockvarietyhour:

rememberwhenyoutried:

I still can’t believe they did this on the show.

Sideburns of deception

Welcome to Nightvale headcanon

Carlos is bald. When Cecil talks about his beautiful hair, he’s being deeply sarcastic.

Series finale of Warehouse 13 be like…

Scott came to not in the warm sweat of fervent dreams and bad memories, but with the feel of cool scales under his cheek. His head was in Mystique’s lap, her fingers stroking his hair from one end of his visor to the other. Like he was a small child, or a lap dog.

In front of him and Raven, the TV was on. News footage from New York. Amateur, badly pixelated, looped. A few of the people who’d streamed into the dark city, to help or scavenge, had brought cameras with them. Everything else was knocked out. The TV was muted, but the closed captioning talked about looting, rioting, fire in the streets.

Scott rose off the bed, looking over to Raven to find her back in her white attire. Rogue was nowhere to be seen. Scott had to imagine Raven had gotten her to safety. “How bad?” he asked.

Raven didn’t answer right away. “The Banshee caught up with you. You’ve been out for six hours.”

“New York. What’d he do?”

“Electromagnetic pulse,” she said, confirming more than telling. “Downed the SHIELD Helicarrier, a few airliners. It’s more than we’ve ever had before.” Causalities. Civilian casualties. “A lot more.”

parkingstrange:

fahrlight:

officialfrenchtoast:

if someone asks why they had to do a spiderman reboot just show them this gif
& the final nail in the coffin


I actually LOVED Evil!Peter! XD

no fahrlight don’t do this to me


And people are making fun of the Raimi version because of a guy’s facial expression for three seconds.

parkingstrange:

fahrlight:

officialfrenchtoast:

if someone asks why they had to do a spiderman reboot just show them this gif

& the final nail in the coffin

image

I actually LOVED Evil!Peter! XD

no fahrlight don’t do this to me

And people are making fun of the Raimi version because of a guy’s facial expression for three seconds.

towritelesbiansonherarms:

brandnewandancientsnogbox:

“I’ve poked my head into theaters in L.A. for that moment just to hear people gasp,” director Marc Webb tells EW. “It’s fascinating. People just don’t believe it.” Webb understands. He felt much the same way when Gwen Stacy was killed off in the comic. “It stayed with me in a profound way. It broke me. I was anxious and curious to explore it on the screen. From the very beginning I planned on doing it,” he says. “For me, everything in the movie was built around that moment. There’s a cost to being a hero.”

But there was another theme that greatly interested Webb: “[The movie] is also about time and about valuing the time you have with the one you love,” he says. He points out that the very first shot of the film is a ticking clock, and that its first line is Richard Parker saying, “I wish I had more time.” Time is the underlying theme of Gwen’s valedictorian speech, and her last fateful moments take place where? At a clock tower.  “Ultimately, it’s not the Goblin that kills Gwen,” says Webb. “They’re fighting in the cogs, in the machinery of the clock tower, and Spider-Man puts his foot in between the cogs and literally tries to stop time. That’s what causes her death—his inability, despite his enormous efforts, to stop time.”

(x)

so glad they did it 

well played